Mr ASTLEY SPEAKS at the VICTORIA & ALBERT MUSEUM

28th April 2018 'From Waterloo to the World - 250 Years of Circus'

In the guise of Philip Astley. CCC director Chris Barltrop performed at London's famous V & A to an audience attending the final weekend's events of the Museum's month-long exhibition and conference focussing on the circus past, present and future.  A further feather in the Serjeant-Major's cap!  as extracts were performed from Audacious Mr Astley, and as Chris Barltrop was questioned by V & A Curator of Popular Entertainment Cathy Haill on his research and writing towards bringing Astley to renewed life.  The half-hour interview was titled Staging a Legend, and investigated the research done by the writer and actor into the history and character of the 'father of modern circus'.  Many thanks to Ms Haill and her colleagues for this kind invitation, and thanks also to an enthusiastic audience.       

'HAPPY BIRTHDAY' TO THE CIRCUS - BIRTHPLACE COMMEMORATIONS

Easter Monday 2018, Cornwall Rd and Roupell St London SE1 8TW

 The commemorative plaque in Cornwall Rd SE1 8TW, funded and erected by the Lambeth Estate Residents' Association, unveiled by Chris Barltrop on Easter Monday 2018.

The commemorative plaque in Cornwall Rd SE1 8TW, funded and erected by the Lambeth Estate Residents' Association, unveiled by Chris Barltrop on Easter Monday 2018.

Actor Chris Barltrop became a circus ringmaster in 1976.  Now, as part of this year’s celebrations of the 250th birthday of the world’s first modern circus back in 1768, he's donned the guise of the 'father' of the modern circus, Serjeant-Major Philip Astley, to assist in a long-overdue celebration on the very spot and the very anniversary of those initial performances.

‘Like many important pieces of history, the true story of that first show and the early years of the circus  arts has got blurred into myth’, said Barltrop.  ‘Astley didn’t invent the circus, but he was an instinctive and larger-than-life showman who fostered its birth and its evolution from the displays of trick-riding he gave with his wife in Lambeth into an international art-form incorporating comedy, acrobatics, and feats of strength and physical skill.  

‘Since I joined my first circus all that time ago’ explains the actor and writer ‘I’ve spent a lot of my spare time researching Astley’s story – how he performed to passers-by in a roped-off circular arena on an open field in Lambeth; how he began to include other performers and then took his new show to Ireland, to Vienna and Brussels, and also to France where his troupe performed for Marie-Antoinette and Louis XVI. 

‘There are circuses now in almost every country across the world.  In terms of global popular culture, Astley’s initiative is as significant as Shakespeare’s’  claims Barltrop.  

On Easter Monday 2018, 250 years to the day since Astley's first performances at a field in Lambeth known as Ha'penny (= Halfpenny) Hatch,  Barltrop unveiled a commemorative plaque funded and erected by the area's  #Lambeth Estate Residents' Association.  That afternoon at the nearby @WaterlooEast Theatre, he premiered a carefully-researched one-man play telling the story.  To impersonate Philip Astley, he was authentically dressed in the military costume worn by the founding father of circus.  And points out Chris,  'Astley was the initiator, but he wasn't the sole contributor.  Astley’s wife rode with him, beat a drum to draw the crowds, and took the entrance money.  She was Patty Jones, and I'm keen to highlight her important role as a very active and hard-working partner'. 

And also the role of a third participant.  Gibraltar was the horse given to Astley on his discharge from the Light Horse after  a distinguished and heroic career.  They were working partners for 40 years.  'Without the trusting partnership between the rider and his mount, the circus might never have begun'.  

FOR FURTHER INFORMATION,

please contact Chris Barltrop on 07836 573600 / answers@centreforcircusculture.eu 

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"The Audacious Mr Astley came back to life @WaterlooEast. Fascinating, highly entertaining and a real highlight of this special year."

 

 

SEE Audacious Mr Astley at: Zippo's Circus, Blackheath 1pm 7th April;Off the Shelf Festival of Words, University of Sheffield  7.30pm 17th October.                                                               

MEET Mr Astley in person at the Philip Astley Project, Newcastle-under-Lyme 21st April; Victoria & Albert Museum London 28th April.  

 

 

 

 

 

 

 

Mr Astley is available to speak...

Mr Philip Astley, late Serjeant-Major in His Majesty's Dragoon Guards, begs leave to inform a loyal public he is now available to recount in person the enthralling history of 'is life as h'equestrian, h'entrepreneur, and h'initiator of a h'entertainment 'e 'as 'ad the pleasure to perform at 'is London h'Amphitheatre; for the Royal Families of Great Britain, France, Belgium, Vienna and Belgrade; also on tour in England, Scotland h'and Ireland. 

Enlivened by h'appropriate contemporary music, and colourfully h'illustrated.

Painstakingly researched to bring a true story vividly to life in this 250th Anniversary Year of the World's First Circus Performance at Ha'penny Hatch, Lambeth, London, on 4th April 1768. 

Suitable for educational h'establishments, studio theatres and private performance.

Modest fee.  Particulars to be had by return upon contact to:   answers@centreforcircusculture.eu

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LISTEN  to Chris Barltrop's interview with Liz Mullen of BFBS Forces Radio

about the influence of Astley's military career on circus history.

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A life of adventure, passion and community
told from behind the scenes of the circus

I have spent two thirds of my life travelling with circuses, as a ringmaster, manager, publicist...and as a fascinated observer of the circus lifestyle. This website is dedicated to offering and sharing knowledge which leads to understanding.  Welcome...!

Some things I'm sure you will know already, and some will be new to you. I hope you'll stay, as I have done...for life.

The Classic circus is a multi-sensory world, brimming with a unique mix of sights, sounds, and smells.  Its history has many facets.  Its presentation has many styles, including the opportunity provided by some circus companies to witness people and animals working together in partnership

“Damn everything but the circus! ...damn everything that is grim, dull, motionless, unrisking, inward turning, damn everything that won’t get into the circle, that won’t enjoy. That won’t throw its heart into the tension, surprise, fear and delight of the circus, the round world, the full existence...”
— e e cummings

 

The Centre for Circus Culture (Centre pour la Culture Circassienne / CCC) was founded in 2015 by Chris Barltrop BA (Hons), a circus professional for 45 years. The Centre exists to promote knowledge and understanding of the circus in all its forms as a historic and valuable aspect of popular culture and as a ‘people’s art-form’ across the world. 

The CCC is happy to offer speakers on the history of the circus and the way of life of the circus people, as well as performances illustrating facets of the circus arts.  

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Stories and adventures of Circus life